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GESIS, Cologne. Data File Version 1.0.0, https://doi.org/10.7802/2360
Abstract: Electronic Dance Music (EDM) is a music style as well as a global creative industry. Performing live and releasing music are the main practices in this field. This datase ... more
Abstract: Electronic Dance Music (EDM) is a music style as well as a global creative industry. Performing live and releasing music are the main practices in this field. This datase ... more
Availability: Free access (without registration)
Subject area: [Cultural Sociology, Sociology of Art, Sociology of Literature [=] Other Fields of the Applied Social Sciences]
Topics: culture, music, career, cohort analysis, social network, field theory, social field, creativity, success, network analysis
Date(s) of Data Collection: 2019-01; 2019-01
Universe: 4224 musicians in Electronic Dance Music that (a) had a page on Resident Advisor and (b) had their first live performance or music release in or after 2001 at the time of data collection (January 2019), (c) have careers of at least five years, and (d) have performed live or released music in at least five years.
Sampling Procedure: Total Universe / Complete enumeration
Temporal Research Design: Time series
Mode of Data Collection: Computer-based observation
Primärforschende, Institution: Jadidi, Mohsen; GESIS - Leibniz Institute for the Social Sciences
Publication year: 2022
DOI: 10.7802/2360
Study number: SDN-10.7802-2360
Contributor, Institution, Role: [Lietz, Haiko; GESIS - Leibniz Institute for the Social Sciences (Researcher) [=] Samory, Mattia; GESIS - Leibniz Institute for the Social Sciences (Researcher) [=] Wagner, Claudia; GESIS - Leibniz Institute for the Social Sciences (Researcher)]
Publisher: GESIS, Cologne
Current Version: 1.0.0, https://doi.org/10.7802/2360
Publications: Jadidi, M., Lietz, H., Samory, M., & Wagner, C. (2022). The Hipster Paradox in Electronic Dance Music: How Musicians Trade Mainstream Success off against Alternative Status. Proceedings of the International AAAI Conference on Web and Social Media, 16(1), 370-380. Retrieved from https://ojs.aaai.org/index.php/ICWSM/article/view/19299
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- *network*_community: measured by k-core
- *network*_mainstream: measured by closeness centrality
- *network*_bridging: measured by betweenness centrality
- *network*_constraint: measured by local clustering coefficient
- *network*_ correspond to the name of of the four networks: cogig, covenue, colabel, costyle
- artist: Subject id; name of artist
- year: Career age; the year in which an artists had at least one live performance
- career_stage: Indication if the artist is in the early, mid, or late career stage
- cohort: The starting year of a career
- gigs_count: Number of live performances
- release_count: Number of music releases
- success: Logged travel distance; dependent variable
- Datasets
Purpose of use:
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edm.tsv
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MD5: | db5caf9dc1c7638f289a5bb46fc32951 |
---|---|
Type of file: | Research Data |
File size: | 3.92 MB |
Version number: | 1 |
Language: | English / en |
Number of variables: | 23 |
Number of units: | 27077 |
Additional information about the file | The dataset consists of the following 23 columns/variables. The position of artists at each point of career is measured by means of sixteen ego network properties within the four networks of co-gig, co-style, co-venue and co-label networks (i.e., independent variables). The four categories are measured as follow: Other variables are as follows: |